Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Jan Frans van Douven
Portrait of Anna Maria Luisa de' Medici (1667-1743)

ID: 93885

Jan Frans van Douven Portrait of Anna Maria Luisa de' Medici (1667-1743)
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Jan Frans van Douven Portrait of Anna Maria Luisa de' Medici (1667-1743)


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Jan Frans van Douven

Jan Frans van Douven, or Johan Francois Douven, (Roermond, 2 March 1656 - Desseldorf, 1727) was a Southern Netherlandish portrait painter belonging to the Dutch Leyden School. Born in Roermond, he spent most of his life as Court painter in Desseldorf, now in Germany, where he created most of his worksDate circa 1695(1695) Medium oil   Related Paintings of Jan Frans van Douven :. | Portrait of Anna Maria Luisa de' Medici (1667-1743) | Arcangelo Corelli | Portrait of Johann Wilhelm, Elector Palatine (1658-1716) | Elector Palatine Johann Wilhelm von Pfalz | Double portrait of Johann Wilhelm von der Pfalz and Anna Maria Luisa de' Medici |
Related Artists:
RUBENS, Pieter Pauwel
Flemish Baroque Era Painter, 1577-1640
William Sergeant Kendall
1869-1938
Thomas Heaphy
English Painter, 1775-1835 He trained at John Boyne's drawing school in Gloucester Street, Bloomsbury, London, and exhibited portraits at the Royal Academy from 1797. Following the success of a portrait of the Russian ambassador, Count Woronzow, he was appointed portrait painter to the Princess of Wales. Thomas Lawrence observed Heaphy's success and bought some of his pictures but had little cause to envy Heaphy's style, which owed much to the vocabulary of civic portraiture popularized by Joshua Reynolds (e.g. Portrait of a Naval Officer; London, V&A). Heaphy's largest project, The Duke of Wellington in Consultation with his Officers Previous to a General Engagement (Newcastle upon Tyne, Laing A.G.), was begun in Spain in 1813 during the Peninsular War and was finished in 1816. The engraving, which was intended to ensure Heaphy's fortune, was not released until 1822, by which time interest in the war had waned. Heaphy failed to finish his Battle of Waterloo (1816; untraced), another panoramic multiple portrait. Heaphy's other speciality, paintings of ports, markets, tradespeople and labourers, brought him great popularity between 1807 and 1811.






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